Exhibition installations
Tatton Park’s landmark exhibition features a major digital contribution from us at TripleDotMakers. Our creative technology reshapes the visitor experience, tracing Samuel Egerton’s journey from Cheshire to Venice through a vivid, immersive narrative connected to Canaletto.
Alongside rare paintings, letters, and artefacts, our digital installations highlight overlooked histories and reframe Britain’s long fascination with Venice. We also produced the exhibition’s social‑promo video, capturing the craft and atmosphere behind the scenes.
The show also includes striking digital artworks by Illuminos and Peut Porter, expanding the visual storytelling and deepening engagement with themes of travel, identity, and artistic exchange. Together, these digital works create a rich, multi‑layered experience that brings Tatton Park’s two Canaletto masterpieces into fresh focus.
Director & Producer / Jim Dawson
Animation / Jim Dawson
Illustration / Alice Malia
Camera Op / Izzy Pye
Sound Design / Jamie Finlay
Exhibition Design & Creative Fabricator / Oliver Turton (Slow Carve Workshop)
Digital App Design / Pete Murray (Every Last Pixel)
Voice Actor / Matt Radford
Client: Cheshire East Council / Tatton Park
A TripleDotMakers production
This video introduces the immersive floor projection installation created for Tatton Park’s Beyond the View: Canaletto exhibition.
Designed as a projection mapped environment with spatial sound, the piece places visitors inside the unfolding story of Samuel Egerton’s transformative journey to Venice in 1729.
As visitors step into the projection, shifting visuals and layered audio guide them through the routes, impressions, and artistic influences that would later connect him to Canaletto.
Integrated within the wider exhibition, this installation acts as a sensory gateway —bridging archival material, historic artworks, and contemporary digital interpretation to bring Egerton’s Venetian experience vividly to life.
TripleDotMakers collaborated with Slow Carve Workshop to develop a suite of bespoke 3D‑designed furniture and projector housings for Tatton Hall’s historic exhibition spaces.
Every element was crafted to be fully sympathetic to the building’s heritage: conservation‑friendly materials, low‑impact construction methods, and colour palettes drawn directly from the Hall’s interiors.
Working closely with conservation teams, we designed and built custom stands, cases, and display structures that integrate advanced digital hardware while remaining visually unobtrusive and architecturally respectful.
The result is a seamless blend of contemporary digital installation and historic environment—supporting the exhibition’s immersive storytelling without compromising the integrity of the space.
